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Showing 50 of 1966 articles
By , 13 May 2022
13 May 2022
The Bamberg Workshop: Wagner concerts in focus
By Alexandra Richter
By , 12 May 2022
12 May 2022
Early music on demand: new EMTV video platform
By Laurence Vittes
By , 10 May 2022
10 May 2022
András Keller on Concerto Budapest's first UK tour
By Stephen Pritchard
By , 06 May 2022
06 May 2022
April at Bachtrack: English reviews highlights
By Bachtrack
By , 05 May 2022
05 May 2022
A voice of one’s own: Ingrid Fliter at the piano
By Elena Luporini
By , 29 April 2022
29 Apr 2022
One for the curious: the Bach-Mendelssohn Connection festival
By Hilary Stroh
By , 22 April 2022
22 Apr 2022
A 25th anniversary as the New National Theatre, Tokyo
By Bachtrack
By , 21 April 2022
21 Apr 2022
Four to watch: Quartet Integra
By Nahoko Gotoh
By , 20 April 2022
20 Apr 2022
The ICCM: Contemporary music and fresh cakes to London’s West End
By Kurt Gottschalk
By , 13 April 2022
13 Apr 2022
La Liberté? Focus on freedom in Dutch National Opera’s new season
By Bachtrack
By , 11 April 2022
11 Apr 2022
Hungarian State Opera and Hungarian National Ballet's 2022-23 season
By Bachtrack
By , 08 April 2022
08 Apr 2022
Six contemporary women composers in Estonia
By Kevin W Ng
By , 07 April 2022
07 Apr 2022
Gävle Symphony Orchestra: from Sweden to the world
By Cameron Kelsall
By , 06 April 2022
06 Apr 2022
The Kyiv Soloists: music-making for peace
By Zenaida des Aubris
By , 06 April 2022
06 Apr 2022
Soprano on hold: Danielle de Niese on filming La Voix humaine
By Mark Pullinger
By , 01 April 2022
01 Apr 2022
March at Bachtrack: English reviews highlights
By Bachtrack
By , 01 April 2022
01 Apr 2022
Cheltenham Music Festival: from intimate to monumental
By Bachtrack
By , 29 March 2022
29 Mar 2022
The Return of The Ring: Zurich Ballet and Opera's 2022-23 season
By Bachtrack
By , 29 March 2022
29 Mar 2022
Opinion: can we just drop star ratings, please?
By Mark Pullinger
By , 24 March 2022
24 Mar 2022
Elenora Hu – Living in the moment
By Zenaida des Aubris
By , 22 March 2022
22 Mar 2022
In the footsteps of a giant: the Svetlanov Competition
By David Karlin
By , 21 March 2022
21 Mar 2022
Alone Together: Jennifer Koh on new commissions and telling stories
By Kurt Gottschalk
By , 15 March 2022
15 Mar 2022
Springtime in Barcelona, an entwining of extraordinary voices
By Juan José Freijo
By , 10 March 2022
10 Mar 2022
Hungarian State Opera: the rebirth of a giant
By George Jahn
By , 04 March 2022
04 Mar 2022
February at Bachtrack: English reviews highlights
By Bachtrack
By , 03 March 2022
03 Mar 2022
Opinion: let's end this war. But not ostracise all Russians
By David Karlin
By , 28 February 2022
28 Feb 2022
Peter Eötvös: Sleepless and the hope for a better world
By Zenaida des Aubris
By , 25 February 2022
25 Feb 2022
Má vlast: freedom, resilience and Czech identity
By Cameron Kelsall
By , 17 February 2022
17 Feb 2022
Keeping the Kuhmo spirit: Minna Pensola and Antti Tikkanen
By David Karlin
By , 11 February 2022
11 Feb 2022
Barcelona Obertura Spring Festival: a feast for the senses
By Stephen Pritchard
By , 03 February 2022
03 Feb 2022
Star names in Saffron Hall's 2022 Spring music season
By Bachtrack
By , 28 January 2022
28 Jan 2022
From municipal band player to trumpet virtuoso: Marc Geujon
By Jean Landras
By , 26 January 2022
26 Jan 2022
Hidden warmth: Hans Abrahamsen in focus at NTR ZaterdagMatinee
By Kurt Gottschalk
By , 04 January 2022
04 Jan 2022
Emőke Baráth: a Baroque reference voice looking at bel canto
By Laura Servidei
By , 22 December 2021
22 Dec 2021
Stepping into Petipa’s shoes: Tamara Rojo on creating a new Raymonda
By Mark Pullinger
By , 16 December 2021
16 Dec 2021
Bachtrack top ten: Camille Saint-Saëns
By Mark Pullinger
By , 10 December 2021
10 Dec 2021
Rare Baroque treasure at the ZaterdagMatinee
By Jenny Camilleri
By , 09 December 2021
09 Dec 2021
The 2022 Bartók Spring International Arts Weeks
By Bachtrack
By , 07 December 2021
07 Dec 2021
The International Bach Festival Schaffhausen
By Bachtrack
By , 03 December 2021
03 Dec 2021
A pact of happiness with nature: the new Penderecki's Garden website
By Laura Volpi
By , 26 November 2021
26 Nov 2021
Christmas in Barcelona: love, food and culture
By Aina Vega Rofes
By , 22 November 2021
22 Nov 2021
Alondra de la Parra: a baton to connect different worlds
By Irene Littfack
By , 19 November 2021
19 Nov 2021
The many faces of Barcelona: three architecture walks
By Laura Volpi
By , 18 November 2021
18 Nov 2021
The Rotterdam Philharmonic Orchestra's journey into the digital space
By Cameron Kelsall
By , 10 November 2021
10 Nov 2021
Opinion: let's hear it for storytelling in opera
By David Karlin
By , 08 November 2021
08 Nov 2021
History, Music, Nature: first impressions of Estonia
By David Karlin
By , 05 November 2021
05 Nov 2021
New organ in Gothenburg inaugurated with concerto premiere
By Morwenna Campbell-Smith
By , 05 November 2021
05 Nov 2021
Berlin's new Ring: in conversation with Sir Donald Runnicles
By Alexandra Richter
By , 04 November 2021
04 Nov 2021
Azrieli Music Prize laureates: Harlap, Habibi, Ueda
By Kurt Gottschalk
By , 02 November 2021
02 Nov 2021
ChanHee Cho – Hard work and resilience
By George Jahn