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Category:Interview
Showing 50 of 611 articles
By , 13 May 2022
13 May 2022
The Bamberg Workshop: Wagner concerts in focus
By Alexandra Richter
By , 12 May 2022
12 May 2022
Early music on demand: new EMTV video platform
By Laurence Vittes
By , 10 May 2022
10 May 2022
András Keller on Concerto Budapest's first UK tour
By Stephen Pritchard
By , 05 May 2022
05 May 2022
A voice of one’s own: Ingrid Fliter at the piano
By Elena Luporini
By , 29 April 2022
29 Apr 2022
One for the curious: the Bach-Mendelssohn Connection festival
By Hilary Stroh
By , 21 April 2022
21 Apr 2022
Four to watch: Quartet Integra
By Nahoko Gotoh
By , 20 April 2022
20 Apr 2022
The ICCM: Contemporary music and fresh cakes to London’s West End
By Kurt Gottschalk
By , 07 April 2022
07 Apr 2022
Gävle Symphony Orchestra: from Sweden to the world
By Cameron Kelsall
By , 06 April 2022
06 Apr 2022
Soprano on hold: Danielle de Niese on filming La Voix humaine
By Mark Pullinger
By , 24 March 2022
24 Mar 2022
Elenora Hu – Living in the moment
By Zenaida des Aubris
By , 22 March 2022
22 Mar 2022
In the footsteps of a giant: the Svetlanov Competition
By David Karlin
By , 21 March 2022
21 Mar 2022
Alone Together: Jennifer Koh on new commissions and telling stories
By Kurt Gottschalk
By , 28 February 2022
28 Feb 2022
Peter Eötvös: Sleepless and the hope for a better world
By Zenaida des Aubris
By , 17 February 2022
17 Feb 2022
Keeping the Kuhmo spirit: Minna Pensola and Antti Tikkanen
By David Karlin
By , 28 January 2022
28 Jan 2022
From municipal band player to trumpet virtuoso: Marc Geujon
By Jean Landras
By , 26 January 2022
26 Jan 2022
Hidden warmth: Hans Abrahamsen in focus at NTR ZaterdagMatinee
By Kurt Gottschalk
By , 04 January 2022
04 Jan 2022
Emőke Baráth: a Baroque reference voice looking at bel canto
By Laura Servidei
By , 22 December 2021
22 Dec 2021
Stepping into Petipa’s shoes: Tamara Rojo on creating a new Raymonda
By Mark Pullinger
By , 10 December 2021
10 Dec 2021
Rare Baroque treasure at the ZaterdagMatinee
By Jenny Camilleri
By , 22 November 2021
22 Nov 2021
Alondra de la Parra: a baton to connect different worlds
By Irene Littfack
By , 18 November 2021
18 Nov 2021
The Rotterdam Philharmonic Orchestra's journey into the digital space
By Cameron Kelsall
By , 05 November 2021
05 Nov 2021
Berlin's new Ring: in conversation with Sir Donald Runnicles
By Alexandra Richter
By , 04 November 2021
04 Nov 2021
Azrieli Music Prize laureates: Harlap, Habibi, Ueda
By Kurt Gottschalk
By , 02 November 2021
02 Nov 2021
ChanHee Cho – Hard work and resilience
By George Jahn
By , 01 November 2021
01 Nov 2021
Inna Demenkova - Passion and responsibility
By Laura Servidei
By , 29 October 2021
29 Oct 2021
Łukaszewski on the “Joy and Devotion” festival
By David Karlin
By , 29 October 2021
29 Oct 2021
Maksym Nazarenko – The art of perseverance
By Elena Luporini
By , 28 October 2021
28 Oct 2021
Claire Antoine – Poetry and humanity
By Stéphane Lelièvre
By , 27 October 2021
27 Oct 2021
Adam Rogala – The joy of collaboration
By Simon Cummings
By , 26 October 2021
26 Oct 2021
Maya Yahav Gour – A multi-tasking flow of talent
By Zenaida des Aubris
By , 25 October 2021
25 Oct 2021
Orliński and Biel: celebrating the beauty of Polish music
By Cameron Kelsall
By , 25 October 2021
25 Oct 2021
Ian Castro – Growing anew in the Old World
By Frank Kuznik
By , 15 October 2021
15 Oct 2021
Jakub Hrůša and the Bamberg Symphony’s ongoing musical travel
By Alexander Hall
By , 13 October 2021
13 Oct 2021
Path of rediscovery: Książek Piano Duo at the Polish Music Competition
By Laurence Vittes
By , 13 October 2021
13 Oct 2021
A unique flavor: Carter Johnson at the Polish Music Competition
By Sam Jacobson
By , 12 October 2021
12 Oct 2021
The language of music: Nicola Luisotti and Suntory Hall
By Stephen Pritchard
By , 04 October 2021
04 Oct 2021
Geister Duo wins the 2021 ARD International Music Competition
By Cameron Kelsall
By , 28 September 2021
28 Sep 2021
Éva Marton on serving the arts and her namesake competition
By George Jahn
By , 16 September 2021
16 Sep 2021
Divine intervention: Wayne McGregor on choreographing Dante
By Sarah Kirkup
By , 14 September 2021
14 Sep 2021
Mary Ellen Woodside on the Zwischentöne Chamber Music Festival
By Cameron Kelsall
By , 16 July 2021
16 Jul 2021
Akie Amou: Passing on knowledge and love of music
By Isabella Steppan
By , 17 June 2021
17 Jun 2021
The Czech Phil's Robert Hanč on recording and video
By David Karlin
By , 11 June 2021
11 Jun 2021
Acting Bach: Sir Simon Russell Beale
By David Karlin
By , 04 June 2021
04 Jun 2021
Aoi Trio’s path is paved with brightness
By Mark Thomas
By , 27 May 2021
27 May 2021
The untold story: Orfeo Uncut premieres in Norway
By Hugh Morris
By , 21 May 2021
21 May 2021
“I’ve felt very lucky to be a composer”: Missy Mazzoli
By Cameron Kelsall
By , 20 May 2021
20 May 2021
Thomas Larcher: a new piano concerto for NTR Saturday Matinee
By Laurence Vittes
By , 17 May 2021
17 May 2021
The new Kelemen Quartet: new births with Bartók
By Laurence Vittes
By , 11 May 2021
11 May 2021
Three Hungarian Choreographers at Bartók Spring Arts Weeks
By Graham Watts
By , 10 May 2021
10 May 2021
Bringing the movie to the audience through music: Bence Farkas
By Kurt Gottschalk